The Children
August 7th - 17th 2024Download the Digital Program for THE CHILDREN here:
THE CHILDREN ~ Digital Program
2024 season
The Children
by Lucy Kirkwood
Directed by Madeleine Withington
In a quiet coastal cottage, two retired nuclear physicists Hazel and Robin are living a simple life: yoga, salads, farming. Their old workplace, a nuclear power station, has just been devastated by a tsunami. Radiation fills the air. One evening an old
colleague, Rose, drops by unannounced with a proposition which will shake their already fragile world.
Lucy Kirkwood’s (Chimerica, Mosquitoes) Tony-nominated play brings accountability and mortality to the forefront in this surprisingly funny and thought-provoking work. Head, heart and humour: the perfect ingredients.
Dates: 7th August – 17th August 2024
Location: The Greek Theatre, Marrickville
Content warning: This production does contain strong language, adult themes and mild violence. This production is suggested for mature audiences 15+. This production also uses smoke haze.
Performances:
Wednesday | 7 August 2024 | 7.30pm | Preview |
Thursday | 8 August 2024 | 7.30pm | Opening Night |
Friday | 9 August 2024 | 7.30pm | |
Saturday | 10 August 2024 | 2.30pm | Matinee |
Saturday | 10 August 2024 | 7.30pm | |
Wednesday | 14 August 2024 | 7.30pm | |
Thursday | 15 August 2024 | 7.30pm | |
Friday | 16 August 2024 | 7.30pm | |
Saturday | 17 August 2024 | 2.30pm | Matinee |
Saturday | 17 August 2024 | 7.30pm |
Creative Team
Madeleine Withington graduated from the Actor’s Centre Australia in 2014 and since then has been working as an actor and voiceover artist on a range of projects. Her directorial work is fast, funny, and colourful, with a focus on collaborative story telling. Her aesthetic is unique, and lives in heightened reality, creating a visual feast for audiences. Her first short film “Butter: A Love Story” won Best Comedy at Flickerfest in 2023.
Claudia is a multidisciplinary artist working as a stage manager, actor, director, producer and writer.
Their production credits include The Shakespeare Carnival (Sport for Jove) for the past three years, producing Sotoba Komachi (New Ghosts), producing & hosting the recurring Shakespeare night; Senseless and Fitz, at The Old Fitz Theatre, and producing & directing Julius Caesar and How to Eat the Sun (Little Spirits).
Some of their recent acting credits include: Juliet in Romeo & Juliet, Susannah in the feature film Venus & Adonis and Tiresias in Antigone (dir. Damien Ryan); Nina in The Seagull, Romaine Patterson & Aaron Kreifels in The Laramie Project (dir. Adam Cook). They have just begun rehearsals for Vickie & Vinnie, a world premiere for Sydney Fringe.
Claudia is a proud MEAA member and has thoroughly enjoyed being in the rehearsal room to see the brilliant work the team has done to bring The Children to life.
Paris Burrows is a multidisciplinary designer working across fashion, screen and live performance. Her fearless attitude and belief in making purposeful work drivesher to challenge the traditions of art making in time based mediums and the conventions of dress and tailoring in fashion. Paris’s work stand out as experimental, futuristic and dramatic with avant-guard tastes and a refined gothic sensibility. During her time at Nida, she has credits as Costume Designer for Sandaime Richard directed by Ong Keng Sen, Production/Costume Designer for Music Video for Oshua’s Veins, directed by Rebecca MacNamee and Set Designer for The Writer directed by Zoe Hollyoak. Paris also designed the Set and Costumes for Venus in Fur directed by Ryan Whitworth-Jones, nominated for “Best In Theatre” at Sydney Fringe 2023. She is currently preparing to launch her self-titled fashion label Paris Jade Burrows which will launch in late 2023.
Alexander is a Sydney-based writer, director and composer. He is a graduate of the University of Sydney, AFTRS and NIDA, where he completed his Masters in Writing For Performance. Credits include sound design for Apocka-Wocka-Lockalypse (Tooth & Sinew), Hitler's Daughter (The McDonald College), The Woman And The Car (Ship’s Cat Theatre Company), The Long Haul (Sydney Fringe), Crocodile Fever (KXTeethcutting), The Van De Maar Papers (Ratcatch), Norm's (KXTeethcutting), Whose Uterus Is It Anyway? (BITE), Othello (Sport For Jove) and Two Twenty Somethings Decide Never To Be Stressed About Anything Again Ever (BITE).
Having studied dramaturgy and theatre at UNSW, Amy went into high school teaching- hoping to share her love of theatre and plays with young people. After many years of raising her children, this experience with Joining the Dots Theatre has been a joyful reminder of all she loves about theatre.
Izzy (she/her) is a recent graduate of the National Institute of Dramatic Arts (NIDA), receiving a BFA in Technical Theatre & Stage Management. She is an emerging lighting artist who is interested in lighting design for various mediums of live performance. With a background in visual arts, Izzy has used her knowledge of art theory and practice to influence her eye for lighting. Izzy is excited to explore the different forms and performance styles lighting design can be utilised. With previous experience in large-scale sports events, gallery installations, and live performances, Izzy continues to grow as a multi-medium artist.
Sonya Kerr is an actor, voice over artist and intimacy director. Some her leading theatre roles include: Jeanne Christie In Their Footsteps - Theatre Travels; Anna Lamb The Sweet Science of Bruising WPC Parker/Hilary Creek The Angry Brigade - New Theatre; Ivy Weston August:Osage County - New Theatre; Kat Seed Bomb - Subtlenuance; Lady MacDuff/Menteith Macbeth - SheShakespeare; Titania A Midsummer Night's Dream - 63 Globes; Catherine Winslow The Winslow Boy - Genesian Theatre; Lady Macbeth Macbeth - Phrankly Theatre. She will next be seen in Hangmen for New Theatre. Although new to the world of intimacy directing, Sonya has worked on Much Ado(Attractive, Not Model Attractive), Ninety (Actors Pulse Theatre), Banging Denmark, The Ballad of Maria Martin,Atlantis and Homos, or Everyone in America (The New Theatre) and the short film Cherry Pie(UTS). She is a proud member of MEAA.
Cast
A graduate from Western Australian Academy of Performing Arts, Helen has worked extensively in Australian film, TV and theatre. Her film credits include Kennedy Millers Wreck of the Stinson and Babe, Boys In the Island, Till There Was You, Out of the Body, The Beast, Frauds, Spider and Rose, Natalie Wood:Lost Child, Gingers, and the award winning docudrama Dr Bogle and Mrs Chandler. For TV she has appeared in many Aussie series, including Flying Drs, A Country Practice, GP, Medivac, Police Rescue, Grim Pickings, Relative Merits, Loveless, The Girl From Tomorrow, Tomorrow’s End, Headstart, White Collar Blue, Outriders, Don’t Blame Me, Snobs, All Saints, Home and Away, Breakers, Crownies and Rake. Most recently she performed in the all girl comedy web-series Chan & Dee’s Drink Tank, which she co-wrote with Claire Haywood. Her theatre include credits Antigone, Great Expectations, On The Wallaby, No Worries, On Top of the World, Europe, I Hate Hamlet, Quartermaine’s Terms, Straight and Narrow, Milo, Women of Troy and Lipstick Dreams (which she co-wrote with Simon Hopkinson), Miss Reardon Drinks a Little & Catholic School Girls, Wild Thing, and most recently Stephen Sewell’s latest play The Lives of Eve.
Mark most recently appeared in “Misery Loves Company” produced by Legit Theatre Co at KXT Broadway, preceded immediately by “The Ghost Writer” which was staged at Flight Path Theatre and presented by Crying Chair/Secret House. In 2023, he appeared in “Gundog” produced by Secret House at KXT. Mark was also in “Albion” at the Seymour Centre, again for Secret House and New Ghosts Theatre Company. Prior to that, he was in “Breathing Corpses” at KXT for Eye Contact Theatre Co and he played Shelley Levine in “Glengarry Glen Ross” at the New Theatre. Originally from UK, he trained at the Royal Scottish Academy of Music and Drama, for all the good it did either party.
Alison graduated from acting school well into last century. Most recent theatre credits include The Front Page (New Theatre) It’s a Wonderful Life and Babette’s Feast (both directed by Nicholas Papademetriou, Relativity (directed by Johann Walraven), Rabbit Hole (Exit Game Productions), W;t (Joining the Dots Theatre), The Telescope (New Fitz), The Chapel Perilous (New Theatre) and Who’s Afraid of Virginia Woolf (Chester St). Her TV credits include All Saints, Home and Away, The Surgeon, Water Rats and A Country Practice and many forgettable TV commercials and yes, a couple of not-so-forgettable ones. In 2018 she co-founded Joining the Dots Theatre Company and is looking forward to their two productions in 2024: The Children by Lucy Kirkwood and The Magician’s Nephew (CS Lewis) adapted by Aurand Harris. Alison is a proud member of MEAA.
Production Photography : Iain Cox Photography
“The Children is tantalisingly hard to define: it is about aging and responsibility. … It
is very English, somewhat menacing and often funny.”
“ … a richly suggestive and beautifully written piece of work … Kirkwood is the most
rewarding dramatist of her generation.”
The Greek Theatre Marrickville
Location: Hellenic Art Theatre (The Greek Theatre), 36/142 Addison Rd, Marrickville
Ample parking is available at The Greek Hellenic Art Theatre. You’ll need to enter the driveway entrance at 142 Addison Road. Follow the long driveway into the free car park. It is just a very short stroll to the theatre entrance.
The address for your device search is: Building 36/142 Addison Rd, Marrickville NSW 2204.
Whilst we do love a late night catch up and look forward to seeing you after the show we do have to let you know that the car park is locked at 10.15pm Sunday – Thursday and 11.45pm Friday & Saturday.